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Posts Tagged ‘cultural appropriation’

"The Impending Nisga'a' Deal. Last Stand. Chump Change" (1996). Lawrence Paul Yuxweluptun.

“The Impending Nisga’a’ Deal. Last Stand. Chump Change” (1996). Lawrence Paul Yuxweluptun.

(For the introduction to this series on national narratives click here.)

It is a breezy July morning, and a group of weary men are trudging their way up a sloping hill. In their midst they carry a 10-metre long plank of wood. A smaller beam has been nailed perpendicularly to the plank’s upper third to form a cross, the symbol of their God.

The men are nearing the end of what had been a long and difficult voyage along the shores of this strange, new continent. Their captain, Jacques Cartier, led them here in search of a waterway that would lead to the riches of the Orient. That discovery, however, would have to wait. Finding only false starts and dead ends, Cartier and his crew have at last decided to turn return home, and all preparations are in order for the perilous journey back across the Atlantic. No doubt looking forward to their return, it is easy to imagine the minds of Cartier’s men on the sights and smells of their home ports as they work through this final task: the raising of a cross on the banks of a great bay. (more…)

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A general observation: most advertisements, sports teams, fashion brands, and movies are about as culturally sensitive as a decolonization is easy. Which is to say, not very. That much will be clear to anyone that’s read the fantastic blog, Native Appropriations. If you haven’t already, I’d strongly suggest you check it out. But I got to thinking the other day, what would it be like if your average market industry was a force for decolonization? We’re a ways off that yet, but, hey, what’s the harm in dreaming. With apologies to Molson, here’s an ad I’m still waiting for: (more…)

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Why so serious?

Why so serious?

I have mentioned before that one of my chief motivations for creating this blog was what others before me have seen as a the defining characteristic of current national public discourse – namely, its absence. One could find as many reasons for this as they care to look for – the commercialization of our universities, the current atmosphere of fear towards re-opening old constitutional wounds, the limited scope of debate in electoral politics, etc. Discussion of our big national questions is as passé today as ghetto blasters were vogue at the time of the last major constitutional talks.

In such an atmosphere, those who breach the subject of ‘national character’ are sure to stick out rather awkwardly, and author John Ralston Saul is surely among the sticky few. What I’d like to discuss here is his book A Fair Country (2009), because it is a compelling and tempting attempt to pinpoint the nature of Canada, but one that doesn’t feel quite right, and I’d like to suggest why that might be. (more…)

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