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Archive for February, 2013

The Hon. James Moore, talking about... something.

The Hon. James Moore, talking about… something.

As plans for the Canadian Museum of History continue to ramp up, I find myself wondering exactly whose Canada will be presented behind the glass displays of our new national museum. Our current government has taken a peculiar interest in Canadian history and national narratives – most notably, in the 1812 Bicentennial celebrations, and, now, in their unfolding plans for Canada’s 150th anniversary in 2017.

If you have been following this blog for a while, you will know that one of my motivations in writing it is my belief that talking about our history is important. The way we perceive the past influences the decisions we make in the present. That old adage rings true, “Those who cannot remember the past are condemned to repeat it.”

There is no doubt that the Harper government’s policies have gotten Canadians talking about the past. Who beforehand had even heard of the War of 1812? The question that lingers in my mind is what histories are we still not talking about, and how do they inform our present actions? (more…)

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(For the first in this series on great French Canadian music, click here.)

There is an ongoing trope running through popular Canadian history that ours is a divided nation. According to the myth of the “two solitudes,” French and English Canada, Quebec and the ROC, are doomed to spend eternity in the miserable company of the other, unwilling to speak, unable to get along.

Well that is a load of malarkey. Show a colonist a country with over sixty indigenous languages, and he’ll spend the next four centuries fretting about two European ones. Typical.

It must be said, however, that sometimes our linguistic differences get the best of us. I’m not prepared to say that’s at all unique to Canada, but it does have its downsides, and one of them is the lack of musical exchange between the different languages. This is a loss for listeners, of course, but it is more unfortunate for those musicians – French, English, and otherwise – who lose would-be fans and audiences. (more…)

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